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Clearer Mirror

by Luke Hicks

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1.
the heat was rising, civilians biting, through freedom writers writing, aimed at governmental tidings, towards the civil plighting, and international fighting, on the mekong they didn't want another world war two, turned to world war three, it gave bobby the blues, and made others feel free, despite the hatred and killing that was going on then folk was re-made, around the tuned parades, of interracial brigades, sufferin' savage raids, but the people sang, and their voices rang, "we shall overcome" them nowadays i see, sailing on by me, a petty degree, of silhouettes to be, that shout that we shall overcome...wallstreet but with such cold feet, around the powers to beat, who are powers indeed, laying cold concrete, who can really expect a change to be comin' instead people yell, over mary jane's cell, who can smoke and tell, and who can sell, that homegrown bell, or the next adele, maybe if she fell, we could all take our eyes off for just one second we would look around, and see people drowned, by the hungry hounds, who want another round, no matter the pound, or awful sound, injustice found--we've got something to fight for
2.
wisdom dispelled, times/sounds are evolving and involving, i think i'm evolving and evoking; with or against them I'm being evoked. and where are you going? creating a communal jukebox, a referential smile? i wouldn't be mad if i thought you were doing that. it's finally 630, and the glass is empty, and the CDs aren't sold, and those grounds you got me in west virginia, well they left this house an hour ago. don't you think it's time that that camera lens on your eyes zoomed in a minute? then you could watch the whole movie without falling asleep. those pending side effects analyses you put on me, well they haven't kicked in yet, i dunno maybe i'll get 'em in the mail today but maybe if you pulled your sheets over your head and you put something under 'em like a rolling stone, a digital urn, or the rooster, i don't know, it's up to you, but you might find something to do, and that would help you...out for the next six weeks while this isn't working out, yeah it's weak we both know...you know i'm not talking about us though
3.
i was broken, and didn't know what to do, so you sent me on my way to find something to search for that i could hold through these days there i was laying on the grass, when i saw her walk on by with her dark hair flying in the wind like an eagle up high i'd been reading salinger at the time, with rebellion on my mind but she, she stopped me right there, she caught me in the rye I had to make her mine--i couldn't spend one more second waiting I hoped she wouldn't run--i had to know that she was not afraid to be with me 'til the end of our lives
4.
item of mockery's entertainment, a pawn in drive-by comedy though my headphones remain idle, my shoes are pooled, glazed with rain, a scuttled village's parade, or an aporetic day or a wound white wedding commencing time goes on, time goes on nothings gonna come and save you when you're at your last breath time goes on, time goes on it'll wear you down to bits of poetry and nothing more apollo and daphne the tree, dapple grey eternity, is that the price of safety, should we even be worried? the elevator's bounce, and the chord poet's ring, ad maiorem gloriam dei, the spark of nature sings time moves hard, time moves hard disbanded by warning signs, the greener grass isn't really so soft times moves hard, time moves hard i'd be surprised if we remained one half of what our parents dreamt of ...us to be...we'll never be, we'll never be
5.
receiving the notion that there is no potion i can make to make you my own well i reckon there was never a chance at bringing you home to make it much stranger i fell in the pool by the sand and without complaining i fought midst the straining to give you my hand no tears to defeat us, no worries deplete us, no sentences outside the lines the copperfield brick i grew in embraced the tall pines When did the time get sour tell me so? when did the moon get darker oh please tell me, i wanna know. did you always think that this was coming to an end? and you had no place to cry at all, so you just let me be your friend? deterring the faces, disgraces surrounding my kin why there's never a moment i don't notice that you'll never be quite like them now i've got this first moment, it's my chance to show that, i'll do everything i can to make you smile without hesitation, i gave you invitation to go out for a while but, confused by the matter of tourists and chatter i can see that you want to go home it doesn't surprise me, i never took you as a rock to be thrown but surely you wonder how all of this first came to be or maybe you're sinking and that's why your blinking shows a lounged catastrophe
6.
i thought i found you, i thought i knew days no longer numbered, i had 'em readymade for two just turns out, you were singin' a different tune one more evening and i'd have gone blind those prickly feathers would've stolen my sight it seems i broke from your grasp just at the right time when i found out you weren't the one i'd had a couple drinks and the night had just begun you swept a bright moon into a dark sun you wanted to travel the open seas come up off your feet, be lifted by the tidal breeze not singing a ballad, lighting candles down upon your knees skinny laughter echoed by the water a fragile sound alone, i thought you were a bother ah, you hated me that night, i bet you don't remember // you told me one night by the fire that if you ever left me well you'd come home, so when i thought that you were gone for good i still waited right by the door and i prayed that you'd come back to me and say that you never had gone
7.
you think you've lost, but there's nothing to be won all your friends they give you this look and you jump right on whatever it takes for you to get ahead... you found yourself outside weeping willows on pillows from your bed
8.
you got your momma's bite and your daddy's eyes, and you better bet they're bloodshot, too yeah nothing comes as much of a sweet surprise when i know i'm gonna be dealing with you your cold hands they sweat something awful, a little something that you just cant lose but by the time you drain it all to the floor, it's back again, and it's fightin' for food so woah woah woah, baby slow down that train, you got another thing comin' and you don't see the rain you aim and you shoot and you hit your mark, and you can do it again and again and again... but these targets you're hittin' they got no spark, you're just pickin' on lost souls, but you go on livin' some lucky fighter oughtta deal you out, just so you know everyone ain't trippin maybe if he did, you'd finally shout, but if some sucker answered you'd just reel em right in so woah woah woah, baby slow down that train, you got another thing comin' and you don't see the rain maybe it's time someone told you that you're weak, weak-handed, weak-hearted, weak-mouthed by the horizon you might finally see, and what you do with it then could still go south but i'm hoping the light's rays bring some kinda change, and that you find you can finally do without hurtin' poor people just to feel the pain, collecting numbers by the way you rouse so woah woah woah, baby slow down that train, you got another thing comin' and you don't see the rain
9.
Dying Fire 04:18
10.
we take our body and we hand it over we take our time and we give it up so buy me another maybe i'll forget what i've done or would you please take my own rough hand, and rescue it back when we fall, we fall hard expected to maintain our balance surrounded by shattered hearts in a world where living is so cruel my own reflection keeps me from you we feel our thoughts crash into each other and see them left behind to rot i've got a dollar worth of livin' to do down here but only a nickel that i've been savin' when we fall, we fall hard expected to maintain our balance surrounded by shattered hearts in a world where living is so cruel my own sorrow keeps me from you my own reflection steals my eyes from you
11.
your momma was a sailor, your daddy strong at hand, but you raised yourself straight with a level head growing up you know well things they got much worse, but that didn't stop you like it mighta stopped them all this time, you were reading them books, and you kept your head on a swivel, but you fell right in all along i thought you more of a thinker, how could any ole' drinker reel you in? you sold yourself to the, sold yourself to the, sold yourself to the wind i warned you not to go hangin' round them, instead you gave it a shot and you got hit...by your own bullet your drinkin' mama she said "come back again, i'll put this to and end for you my friend" but...you sold yourself to the wind
12.
brother juniper blossomed beautifully in the late of may source of beauty, source of light to those in pain taking all that he had and giving it away pollinating spring and soaking in the summer rays falling only to temptation of the winter way taking all that he had and giving it way..as if to say would you break down these walls? simplicity in greatest form, delightful love of man living day by day so everyone could understand surpassing anger that's always held the upper hand...seemingly would you break down these walls? so a forest of junipers can start to grow
13.

about

Luke's debut album will shock any first listener with its figurative strokes of lyrical honesty, stark simplicity, and incredible depth. Kicking off with the Bob Dylan inspired, folk rock "Talkin' World War Four Blues" that flashes us back to the 60s protest era and capping off with the spiritual cry of Brother Juniper, the dynamic of Luke's first album takes us on a roller coaster ride of expression. We join Luke on his candid, unfiltered search for a truer manifestation of himself, his past, and the world around him through social commentary, profound reflection, and sorrowful storytelling.

credits

released May 1, 2014

Produced by Tim Jenkins and Luke Hicks
Mixed and mastered Tim Jenkins at Silvershoes Audio Services in Waco, TX
All songs written and performed by Luke Hicks except for:
Dink's song - Public Domain, arranged by Luke Hicks
© 2014 Uproar Records

Talkin' WW4 Blues:
Clark Nowlin-Bass
Will Thompson-Lead Guitar
David Pearson-Drums
Thomas Harbin-Keys

Final Hour Blues & Sold Yourself to the Wind:
Daniel Gerona-Trumpet

You Think You've Lost & A Simple Aversion:
Jessie Carver-Violin

A Story in Reverse:
Tim Jenkins-Steel Guitar

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Luke Hicks Austin, Texas

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